Shakuhachi



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The "Ascetic Shakuhachi" Historical Evidence Research Web Pages

Introduction & Guide to the Documentation & Critical Study of Ascetic, Non-Dualistic Shakuhachi Culture, East & West:
Historical Chronology, Philology, Etymology, Vocabulary, Terminology, Concepts, Ideology, Iconology & Practices

By Torsten Mukuteki Olafsson • トーステン 無穴笛 オーラフソンデンマーク • Denmark

 



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2000: Tsukitani Tsuneko '(Hon)kyoku' Book, English Summary

Tsukitani 2000 book

Tsukitani Tsuneko: 'Shakuhachi Koten Honkyoku no Kenkyū', 2000.


On page 270 in the back of her book, Tsukitani Tsukitani makes it clear that her research centered on the rather short period of 'honkyoku' history spanning from the late 1700s to the mid-1800s. Se scanned text at page bottom.

Do note, however, that the term 'honkyoku', 本曲, is only to be seen once in any known Edo Period document, namely in a Kyōto Myōan-ji document dated 1694.

It was then presented in order to distinguish from so-called 'ran-kyoku', 乱曲, "rebellious music" that was not accepted as proper 'Komusō' music.

The term 'honkyoku' began to appear again after 1871, when the 'Komusō' Brotherhood had been prohibited and "secular" shakuhachi music practice, like in 'sankyoku', gained growing popularity.

Tsukitani 2000 summary

Tsukitani 2000 summary

Tsukitani 2000 summary

Tsukitani 2000 summary

Tsukitani 2000 summary

Tsukitani 2000 summary

On this page 270 in the back of her book, Tsukitani Tsukitani makes it clear that her research centered on the rather short period of 'honkyoku' history spanning from the late 1700s to the mid-1800s.

Kourin shakuhachi essay 1505-a




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